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Joseph de la Vega : ウィキペディア英語版 | Joseph de la Vega
thumb José, Josseph or Joseph Penso de la Vega, best known as Josseph de la Vega (ca.1650, Espejo, Spain — November 13, 1692, Amsterdam, Netherlands), was a successful Jewish merchant, poet, and philanthropist residing in 17th century Amsterdam. He became famous for his masterpiece ''Confusion of Confusions'',〔It is possible to read it in a full view mode here () or buy here ().〕 the oldest book ever written on the stock exchange business. == Biography == Joseph was born about 1650 in Espejo, a small town in Córdoba province (Andalusia, Spain), into a family of Spanish and Portuguese Jews. He was the son of Isaac Penso Félix and of Esther de la Vega, whose family name he assumed, and who was a relative of the Vegas that founded a Talmudic school in Livorno. His father was a Marrano, who had made a solemn vow in the dungeon of the Inquisition that within a year after regaining his liberty he would openly profess Judaism. This oath he fulfilled in Middelburg after his escape to Antwerp. Isaac, from the time of his marriage until his death, which occurred in February, 1683, distributed 80,000 gulden as tithes from his profits. Penso had four brothers: Abraham, the eldest, who was charitable like his father; Joseph, David, and Raphael, who lived in London. Joseph went while still young to Amsterdam, where he was taught by Isaac Aboab da Fonseca and Moses Raphael de Aguilar. When in his eighteenth year he completed his first Hebrew drama, "Asire ha-Tiḳwah" ("Pardes Shoshannim"), in three acts, which appeared in Amsterdam in 1673 (2d ed., Leghorn, 1770), and in which he allegorically depicted the victory of the will over the passions. He became a respected merchant and an elegant Spanish poet, and filled the honorary offices of president of the Academia de los Sitibundos and secretary of the Academia de los Floridos, founded by Manuel de Belmonte. Penso wrote over 200 letters to different princes and statesmen, and was a prolific author, "the marvel of the academies, who made his work proof against criticism by presenting his subject in ordered form; delicate in his sentiments and of true refinement", as De Barrios ("Arbol de las Vidas", p. 90) characterizes him.
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